Cover of What the Dog Saw and Other Adventures by Malcolm Gladwell - Business and Economics Book

From "What the Dog Saw and Other Adventures"

Author: Malcolm Gladwell
Publisher: Unknown Publisher
Year: 2009
Category: American prose literature

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Chapter 14: Late Bloomers
Key Insight 1 from this chapter

Challenging the Notion of Precocity in Genius

Key Insight

The popular understanding of genius is tightly linked to precocity, suggesting that significant creativity stems from youthful energy and freshness. Iconic figures like Orson Welles, who made 'Citizen Kane' at 25, Herman Melville, who wrote 'Moby-Dick' at 32, and Mozart, who composed his breakthrough 'Piano Concerto No. 9' at 21, reinforce this idea, with lyric poetry often considered a domain where talent appears early and then diminishes. Even T. S. Eliot's 'The Love Song of J. Alfred Prufrock,' containing lines like 'I grow old... I grow old,' was written at 23, contributing to the perception that 'poets peak young.'

However, research by economist David Galenson challenges this assumption. His analysis of 47 major poetry anthologies published since 1980 revealed that the most frequently appearing poems were composed by poets at varied ages, including 23, 41, 48, 40, 29, 30, 30, 28, 38, 42, and 59, disproving the notion that lyric poetry is exclusively a young person's art. A significant percentage of acclaimed work by poets like Robert Frost (42%), William Carlos Williams (44%), and Wallace Stevens (49%) was written after they turned 50, indicating late-career peaks are common across creative fields like film, where Alfred Hitchcock achieved one of history's greatest directorial runs between ages 54 and 61.

This distinction is starkly illustrated by the contrast between Picasso and Cézanne. Picasso, a quintessential prodigy, began his serious artistic career with a masterpiece, 'Evocation: The Burial of Casagemas,' at 20 and painted 'Les Demoiselles d’Avignon' at 26; his mid-twenties paintings fetched 4 times more at auction than those from his sixties. In contrast, Cézanne was a late bloomer, with his finest works, found in places like the Musée d’Orsay, predominantly painted at the end of his life, and his paintings from his mid-sixties were valued 15 times higher than his early works, demonstrating that creative genius can manifest and peak decades into a career.

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