Cover of Bride by Ali Hazelwood - Business and Economics Book

From "Bride"

Author: Ali Hazelwood
Publisher: Thorndike Press Large Print
Year: 2024
Category: Fiction

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Chapter 3: Chapter 3
Key Insight 1 from this chapter

The Narrator's Vampyre Existence and Hostile Environment

Key Insight

The narrator, a Vampyre, experiences severe lethargy and weakness during daylight hours, describing themselves as 'useless' even indoors. Sunlight, particularly during late spring and summer due to its steep angle, causes burns and pain, although it is not immediately fatal unless exposure is 'unfiltered and prolonged'. This condition significantly impairs their daily functioning and is acknowledged by others, such as 'Serena' who noted this 'crepuscularity' hindered their 'brunch lifestyle' and highlighted the narrator's inability to eat standard food.

The narrator's new living situation places them in a hostile environment among Weres, specifically within a room that previously belonged to a Were-child named Ana. Ana, who appears between three and thirteen years old and possesses 'pale, dangerous, familiar green' eyes, asserts ownership of the room, using a spare key to access it and disturb the narrator. The narrator learns Ana is Lowe's daughter, whose mother is gone and 'impossible to tell' where, and whose father (Ana's biological father) is dead, a common fate for Were children 'at the hands of Vampyres like you'.

Juno, Lowe's sister, confronts the narrator, displaying overt hostility and worry. She imposes strict 'rules' on the narrator: 'stay away from' Ana, 'not ask questions about the pack', 'not strike up conversation with us', and 'not walk around unsupervised'. Juno emphasizes these rules are for both the narrator's safety and 'to keep others safe from you', explicitly stating her disbelief in the narrator's claims of peaceful intent and expressing personal dislike. Despite the narrator's assertion of having lived among Humans for 'nearly two decades' without committing a single murder, Juno insists 'It will be different here'.

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